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    Original Title: Digimon Adventure Tri. 4: Loss


    Genge: Animation,Action,Adventure



     


     


     


     


     


     


     


     


     


     


     


     


     


     


     


     


     


     


     


     


     


     


     


     


     


     


     


     


     


     


     


     


     



    Upon arriving at the Digital World after the "reboot", the digidestined are hunted by a new villain. Meanwhile, Sora is troubled by her partner digimon's indifference towards her.
    It may have been unreasonable to expect "Loss" to equal the excellence of "Confession", but I wasn't prepared for such a sloppy product. The fourth chapter in the surprisingly edgy Digimon film series fulfills some personal, long-held fears and saps a good deal of confidence for future installments. "Determination" may have been moderately disappointing, but this installment falls short of it in every way.

    Far and away, the most severe letdown of the film is Sora. Marketed as the focus of the episode and receiving a solid foundation from her role in the previous chapter, Sora seemed primed to evolve as a character. Considering her sparse involvement, this was exceedingly welcome, and a something I personally anticipated greatly. Unfortunately, shallowness, contrivance, and obviousness all pervade her story, with nearly every development and action occurring out of necessity rather than thoughtfulness. The mending of her relationship with Biyomon is consistently artificial, and the trigger to the latter's new evolution utterly perfunctory. Sora had the makings of a caring, compassionate individual that often neglects her own needs, and this may have allowed the character's true concerns and desires to show through were it not for the scattershot narrative. Furthermore, despite hints of a proper exploration, the dynamic between her, Tai and Matt is shortchanged, which, at least for now, is a colossal slap in the face to everyone who wanted proper closure on the matter after watching "Digimon 02".

    Beyond that, there's a lot going on. I wrote concerning the second film that "the numerous subplots never manage to cohere into a streamlined narrative". Such an issue resurges here, full force. The early sequences of the kids reconnecting with the in-training digimon contain some expectedly cute moments, such as Tanemon's initial reaction to being picked up, but lose steam very quickly. Subsequently, everything devolves into a string of haphazard events and broken conversations. Interesting moments do sporadically come about. For example, Kari's comments on accepting the new condition of the digimon partners, while a little inconsiderate, creates the possibility in the audience's minds that this loss of memory may not be reversed.

    It would be an understatement to say that the film is largely saved by revelations on the larger scheme. Not only are the purposes of recent events clarified and Hackmon given his first speaking role, but light is shed on Namikawa's history and motivations. The opening flashback, though done in an odd silent newsreel style, is intriguing, and the scene of Namikawa reuniting with an amnesia afflicted Tapirmon is arguably the best one in the film. Here is an individual so consumed by obsession that she cannot accept the reality in front of her; it's poignant as well as it is frightening.

    With the advertised inclusion of Machinedramon, MetalSeadramon, WarGreymon and MetalGarurumon, as well as the introduction of Phoenixmon, one might at least expect the action to thrill. Sadly, such a gathering of heavyweights only makes the resultant dud of a climax truly perplexing. MetalSeadramon gets dispatched without much resistance (his final fight in the show is better), and Seraphimon is greeted with a whimper. Phoenixmon suffers most perceptibly, with a "puffy" looking rendition that is notably inferior to the detailed depictions from the promotional poster and card game artwork. The only combatant that manages to impress on some level is Machinedramon. Though reduced in size, the animation quality for this version is impressive, and he even shows off a nifty new "laser tail" ability.

    Two-thirds of the way through the series is an unacceptable point for such a misstep to occur. "Loss" provided the opportunity for progress on character points introduced in the first two entries, and looking back at the series' irritating habit of hastily dismissing these only exacerbates the frustration. When will we see actual coverage for Tai and Matt's concerns, or Izzy's crush on Mimi? Four episodes in and the writing staff, for all its affection for the franchise, still hasn't figured out how to balance such a large roster of characters within the given format, and with only two chapters left the margin for error has all but disappeared. In the end, the title "Loss" only refers to the squandered opportunities to truly give this much anticipated project momentum.
    As stated in parts 1 and 2 of the "SHE MUST GO" installations, Meiko is the worst character in this anime. I went in expecting a lot of nostalgia and i got that, but with a grain of frustration. It's not incredibly hard to watch, but she makes it less fun and more like a chore. Every time that I hear her threaten Meicoomon, I feel resentment. I can't stand the thought of someone trying to kill their best friend just for being defective. Although this was a great addition to the story, Meiko somehow manages to take away from the development. Every time we move forward in the plot, she just has to draw us back down with her guilt. Killing your digimon is only causing more rage in said digimon. They never truly die. They are always reborn. She's spent years with Meicoomon and still doesn't understand her. This is why I am saying once again, MEIKO MUST GO!






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    Original Title: The Lone Ranger


    Genge: Action,Adventure,Western



     


     


     


     


     


     


     


     


     


     


     


     


     


     


     


     


     


     


     


     


     


     


     


     


     


     


     


     


     


     


     


     


     


     



    In the 1930s, an elderly Tonto tells a young boy the tale of John Reid, the Lone Ranger. An idealistic lawyer, he rides with his brother and fellow Texas Rangers in pursuit of the notorious Butch Cavendish. Ambushed by the outlaw and left for dead, John Reid is rescued by the renegade Comanche, Tonto, at the insistence of a mysterious white horse and offers to help him to bring Cavendish to justice. Becoming a reluctant masked rider with a seemingly incomprehensible partner, Reid pursues the criminal against all obstacles. However, John and Tonto learn that Cavendish is only part of a far greater injustice and the pair must fight it in an adventure that would make them a legend.
    In 1933, in San Francisco, a boy visits the Wild West in a sideshow and meets an elderly Tonto in a chamber and the Comanche tells the story of The Lone Ranger to him. In 1869, the idealistic prosecutor John Reid returns by train to his hometown Colby. In the same train, it is traveling the criminal Butch Cavendish that will be judged for his crimes and hanged in the town due to a request of Latham Cole, who represents the railroad company. However, Butch escapes and John rides with his brother Dan Reid and six other Texas Rangers to capture him. However, the rangers are ambushed and killed by the notorious outlaw and his gang and only John survives. He teams up with Tonto to bring Butch Cavendish to justice in a dangerous journey of discoveries.
    It's been nearly six decades since the iconic Texas Ranger met his debut on television fighting outlaws of the Old West with his trusted sidekick Tonto. Very few fans could get the famous television iconic would ever to make his appearance on his big screen. That is when visionary director Gore Verbinski, the incredible mind behind the 'Pirates of The Caribbean' trilogy comes into the scene to revive the titular hero along with his faithful sidekick Tonto. While his reimagining of the television series has the capacity of triggering nostalgia among those who grew up watching the series (or possible listening to the series on the radio back in the 30s), it's too often bloated and charmless in its execution leaving the entertainment factor have little to be desired. With Armie Hammer and Johnny Depp taking the spotlight, and a sweet six-digit budget; it should have been a whole lot of fun. Unfortunately, it's a hot mess. This film opens up in 1933 San Francisco where a young boy meets an aged Native American warrior Tonto (played by Johnny Depp) who tells him the long story of his adventures with the titular hero. Flashing back to the 1800s in the Old West, John Reid (played by Armie Hammer) is a Texas Ranger who travels across state with his brother Dan (played by James Badge Dale) to hunt down vicious outlaw Butch Cavendish (played by William Fichtner). When Cavendish's suddenly ambushes them and Dan is subsequently killed, Reid saddles up with Tonto who has escaped from jail to hunt down Cavendish and seek for justice.

    Gore Verbinski fetched his ingenious visionary to the 'Pirates of The Caribbean' trilogy as well as surprisingly successful animated film 'Rango' in 2011. Unfortunately, his attempts on revitalizing the iconic Texas Ranger come with less than stellar results that amount to an overlong western extravaganza that lacks excitement and heart until its final twenty minutes. The first big action scene takes place on a train where our titular hero is introduced. With guns blazing and train cars crashing and blowing to smithereens, there is enough adrenaline to pump up the excitement. But it's not before we're left in endure over two hours with our lead characters on a sluggishly paced trek through the Old West that goes tedious before halfway point, and constant tone shifts between it's light-hearted atmosphere and gritty somberness only make the already convoluted story more difficult to take seriously. In one scene, our heroes are cracking silly jokes, next scene they are engaging in some heavy action, another scene later a character viciously has his heart cut out. Though the actual act is not directly shown, doesn't that sound awfully gruesome for a Disney movie. In terms of the performances, Armie Hammer is not bad as the Lone Ranger nor is Johnny Depp as the Indian Tonto, especially with the stylish makeup done his face and his vintage Indian costume design. But their lack of charisma sadly render them into sorely forgettable protagonists. The main villain Butch Cavendish played by William Fichtner is also a bit of a one-dimensional letdown.

    The film doesn't quite reach much excitement nor does it incorporate much of the spirit of the titular hero until the final scene when our hero and his sidekick Tonto compete in an adrenaline-fueled showdown against Butch Cavendish and his gang. Not only does it take place on not one but two train racing by side by side, but we are blessed with the arrival of Giachino Rossini's classic score 'William Tell Overture' which if you remember was largely prevalent throughout the television series. There is plenty of fun to be handed as we watch our heroes pull off with eye-popping stunts with John Reid (now the Lone Ranger) racing on his horse aside the train and Tonto fending both against Cavendish's bandits in a tense, occasionally humorous close combat inside the train. It is just too bad that this climax couldn't have come sooner as we are forced to sustain through a long tensionless stretch of action-free mediocrity. Fortunately, this climatic scene along with the early train sequence is just enough to save the film from being too much of a bloated mess, especially for one running 149 minutes.

    The Lone Ranger is a bloated western action extravaganza piece that has little to offer beyond it's dazzling special effects and surface level performances. Though it may shine some light on its artistic production design and of course the near-inevitable nostalgia of its timeless source material, the overall execution makes it a difficult choice for replay value.
    Hey all, we're back with another movie review as we approach the holiday weekend. In honor of the patriotic holiday 4th of July, Hollywood decided to revive the classic Western heroes of The Lone Ranger and Tonto, in Jerry Bruckheimer's latest production entitled well… "The Lone Ranger." While many of the younger generation have had little, if any, experience with the desperado of yore, Disney has once again attempted to bring a series back into the milieu of movies. How do you do that? Put popular actor Johnny Depp into the movie, make him the iconic character, and then advertise as an action flick for the whole family. What was my verdict on the movie? Read on to find out.

    Let's face it we all thought that this movie was going to be a Western knockoff of Pirates of the Caribbean and in many ways it is. Unfortunately for this reviewer those similarities mirrored the latter films, whose qualities were a bit lowered than the epic first film. The biggest similarity is of course Tonto, the Indian version of Captain Jack Sparrow, just with some broken speech patterns and a little less rum. Depp has dived into the character pool once more, and has adapted well into the awkward tracker/shaman. Using his unique personality, Depp places a spin on a character that is very entertaining to watch. Tonto was the highlight of the movie for me, primarily in his ability to somehow take any situation and make me laugh with just a few words. Like the infamous captain, Tonto also has the ridiculous movement patterns that get stranger as the movie continues on. Unfortunately this film skimped on a few things that made Tonto less of a memorable character. Sparrow had a story, a goal, and a history that bled into the swashbuckling tales and kept us on our toes trying to guess what his next move was. Tonto does not, as his story is very simple, his relationships not well developed, and surprisingly his moves are a bit lacking when compared to his other roles. My guess is they chose to focus on Armie Hammer's story and tried to give Depp the main character role without the main story. Regardless Depp fans will love the man once more, as his dedication and entertaining styles continue to survive the tests of time.

    Putting Tonto aside, The Lone Ranger lacks a lot of things that I look for in a movie. It's almost as if the directors of this movie couldn't decide what type of a film they wanted to make and instead mashed a few genres together, skimped on the story, and then paid Depp to make the film great. For instance, at the beginning it seemed like this was going to be an adventure that was light hearted, good Western fun that all audiences could enjoy. Then somewhere along the line director Gore Verbinski decided to flip on the dark switch and turn one of the villains into a savage that had a taste for various organs, hello The Last of the Mohicans. These dark moments were surprisingly frequent and often graphic enough, to issue the warning that this is not as much a kid's movie as you might think. When people weren't being massacred though, the action is alright, often more chasing and haphazard shooting than anything really exciting. I felt that the actions scenes were all about Depp making us laugh and less on the outcomes of the battle. Had it not been for the amazing soundtrack by Hans Zimmer, I don't think I would have had any interest in the music, yeah it was that lacking. Needless to say, the story itself mirrored the action, where there really wasn't much to grab your attention. A simple linear story, that kind of had a Western feeling to it, but lacked the heart of the wild west that was made famous long ago. Any attempt to develop the characters, was dropped for a hearty laugh and slightly touched upon later on in the film.

    Speaking of the characters, most of the cast really didn't impress me in both character and acting. Despite the movie being about the Lone Ranger, his story was simple, not that entertaining, and rather bland for the most part. Hammer looks pretty for the girls, but honestly there isn't much to him other than a prop for Tonto. The main villain Butch Cavendish, looked the nasty part, but they didn't really pursue much with him or his party. The damsel in distress Rebecca Reid (Ruth Wilson) but not much else can be said, because like the other characters, she just didn't get a whole lot of interest from the direction staff. If I really had to pick another character that stood out, it would have to be Ms. Red Harrington (Helena Bonham Carter). Most likely this character got more attention because of the actress, but Red has some sass and attitude that mixed with Carter's talents makes for an entertaining cameo with a little more "kick." Perhaps next movie, if there is one, will have some more background, but I wouldn't count on it.

    The Lone Ranger relies a lot of Depp for its entertainment purposes, but as many of us know one man can't make a movie. Verbinski dropped the ball on this one and I can't really say it's worth a trip to the theater. If you're a die-hard Depp fan you'll probably still go and have fun, but skip this and wait for television or Netflix. My scores for this film are:

    Action/Adventure/Western: 6.0

    Movie Overall: 6.0
    The fact that Johnny Depp alone gets top billing above the title, The Lone Ranger, despite not playing said character sums up the generally misguided approach taken by Depp and the creative crew behind the “Pirates of the Caribbean” franchise in bringing last century’s radio and TV hero back to the big screen in a big way.
    Johnny Depp's Great-Grandmother grew up in either the Cherokee or Creek Indian nation. He was also made an honorary member of the Comanche via adoption by LaDonna Harris, president of Americans for Indian Opportunity and a member of that nation.




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